raya

RAYA AKU sgt best

as usual duit dpt bnyk dr family tp bila pi braya umah oang

dpt 1 ja duit raya

umah lain x dpt

cis!!!!!!!!!

raya ke3 aku buat slh

aku pi raya umah alia tp

pi umah ismah dulu

tgu najwa

dekat sejam tgu

jalan jem

elok lepas dari tol

papa kol soh balik koz mlm ni ada knuri tahlil

so aku cuak ah

aku dgn qalilah n ismah

TETIBA WANA KOL soh amik dia kat umah kwn dia

shit im running out of time!!

dah la x sempat pi umah alia

balik ja kena perli dgn kak eppy

fuhh

then tetiba qadijah kena ikot wana balik umah aku

i was like 'wat the hell!'

dlm pukoi 9.30 pm qalilah come picked her sis

then around 10pm parents dia mai umah aku nk amik depa dua

so jadi la konflik di mana

hp paudzi xda batery n fon mak qalilah ada kat qadijah..

so no connection

tetiba papa n mama soh parents qalilah masuk umah aku mkn nasik knuri luw

ala..aku mls nk layan la..

afta mkn,aku kol qalil bgtau dia parents dia kat umah aku

then dia soh parents dia tgu dia mai umah aku koz kesian kat najwa kena hntar dia jauh

so mak dia sgt takot nk gtau pak dia soh tgu

after a few minutes,parents dia blah..im shocked!

then qalilah smpai and shes shocked her parents blah mcm tuh ja

elok ja qalil nk blah,parents dia smpai BUT WITH ANOTHER CAR!

huh!wat a drama!

then hp wana ilang time knuri tuh

kesiann

at the moment aku tulis blog ni baru aku rasa aku patot tlg wana

apa punya kakak la aku ni

at least aku tlg dari segi financial kan

bro mahathir

harini aku dh siap nk pi bio lab .dh smpai kat hms building,tgk2 jmpa classmates kata xda kelas so kami pi la bilik sir nk hantar lab report then tgh2 siapkan report tgk2 sir keluaq dr bilik n mintak kuih raya!ahahaha lawak ah dia then dia ajak masuk bilik dia sembang..sempoi!dia siap bukaka tenet bg kami main g..sempoi!!aku pon download la mcm lagu kat 4shared n mp3central.then dia cita la mak dia jeles la dia amikoank gaji koz pak dia sakit tua lumpuh half body..sian...dia raya sorang kat kl taun nih.bini n anak dia balik kg perak naik flight..sian gila ah..then dia kata kalao nk lepak2 nk download papa mai ja bilik dia pasnih..wow!Then aku beli quran terjemahan rm45 lawa.mmg aku dh lama nk beli pon..

min sedih

min sedih bila tau raihan kutok diak at belakang...dia nangis gila

experiments today-animal and plant kingdoms

starfish

mirafish??

lizzy

froggy da huddy

sharky

???

gamat

earthworm

jelly fish

plant's 'sperm'

dedola..

balik kampong..

means spent semua time dgn family..no celly and no lappy la jawab nya..listening to CLV feat CAPRICE's song called 'our raya song'..from youtube..damn!its smowkin hot!best best best!he boosts my eagerness to celebr8 raya!huh!btw,i love caprice..day by day..ur hot!i love u sooooooooo much!xda laki kat uia yg blh amik ur spot caprice!u need a girl to take care you then im gon be the one aite!

mask signed by caprice!

hes looking at??

aku sayang kamu!

r caprice sayang,

i'll be leaving you for 5 days ok syg?

jaga diri baik2 k..

i x pi mana..

im not always around but im always there..

you can call me on the telephone..

bz with pham but i'll take you call..

k?

i love you so much!

.................................................................................

Caprice ft. Damien of V.E. - Dem Girls Lyrics

I like ‘dem girls

‘Dem girls, around the world, world, world

Okay, this is a remix

Ya’ll know this is

I like ‘dem girls

And they call me, young to the don

C-A-P-R-I-C-E

Let’s go!

Fly cars, lamborghini

Can’t stop young houdini

When I come on tv

They just wont believe me

Like that I’m focus man

I grab girls like hova can

You cant see what you cant grab

I got girls thats twice as bad

Get with the pro my cool composoure

Don’t be fool cause I’m naughty by nature

Keep your cool I met get to know ya

Hi whats down, I’m from Malaysia

I dont lie but I’m diggin’ your friend

Shes down, I’m down, like lovers and friend (wait)

I don’t pay I do it for free (wait)

Just call it then repeat

[CHORUS]:

Hey girls around the world

Love the way I rock my world

Yo girls, can’t hold me down

Love the way they love me now

‘Dem girls

(Around the world, love the way I rock my world)

Yo girl, can’t hold me down

(Love the way you love me now)

I’m still young but I take my chances

She wants me to I try to dance

I don’t drive mercedes benz

Give me two years girl, I’ll fly a jet

Nevermind you’re hard to get

We’ll see how you are when I’m making you wet

I don’t lie but I’m one of the best

So don’t drive by without giving me a test

I’am star in the making

You got beef, call my agent

Can’t proceed, call the station

Got my song on hard rotation

Yes, I’m so amazing

From KL, yes I’m asian

Don’t try to test my patience

C-A-P will keep you blazing

Yo girl cant hold me down

Labels cant hold me now

I got them focus now

I like the way ‘dem girls

[CHORUS]

I met this one girl at a party last night

And she was like, let’s go for a movie

I was like, let’s make one

I take you to the movies

Nevermind the groupies

Take it real slow

Now she really wanna do me

Take her back home, now she wanna get it on

She said, she’s in the zone

And I’m turning her on

So we, walked through the door

Then we, got on the floor

She’s like, papi you ready

I’m like, I got some more ma,

You ain’t bad, you just love the way I rap

She said

[CHORUS] (3X)

p/s:dear ariz a.k.a caprice,i really appreciate this songs!

KNOW YOUR LEDGE! Malaysian Hip Hop KNOWLEDGE!

johan ishak(president) + malique(general)

THE BEGINNINGS: 1989 - 1994

OUR earliest recollection of hip-hop music in popular culture can be trace to the movies Breakin’, Breakin’ II: Eletric Boogaloo and Beatstreet. All of which came out in 1984. These movies may not have had an impact musically, but they did spawn a generation of breakdancers. Heck, even the biggest local movie of 1984, Azura, starring Jamal Abdillah and Fauziah Ahmad Daud, had a breakdancing scene in it! As for musically, hip-hop were basically unknown to many until 1989 when a group of four people - Najee, Jakeman (yup, the same man behind hitz.fm Malaysian English Top 10), DJ Gabriel and a vocalist called Suresh - released a mixtape under the moniker Krash Kozz. The man behind the whole thing was Joe Siva, who was also the main person behind Valentine Sound Production (VSP), one of the early hotbeds for local fringe acts and releases. The mixtape, Pump it Up, was a hit in the booming club scene at that time with more than 10,000 copies sold. It was also certified by Billboard magazine as the first hip-hop album to be recorded by a Malaysian artiste! With a new line-up - Najee, Noramin and Joe Siva- the group then released its self-titled four-song EP in 1992. In the same year, Siva hooked up with Mohd Firhad Ahmad (now head of Zezz Entertainment) and the friendship led to a musical change for Krash Kozz.
Firhad, by the way, was the man who was responsible for introducing new jack swing (NJS) to the Malaysian public. He initiated the launch of NJS – yup, it was a party to introduced the music style - that was held at The Baze (the premier R&B/hip-hop club then) in November 1992. In December 23 of that year, he and Siva had a phone conversation with Teddy Riley, the NJS Godfather, who told them to spread the NJS craze in this country. Well, Riley’s wish was granted as Krash Kozz third album, New Jack The Streetbeat, that was released in April 1993, became a big hit. Recorded by the new line-up of Najee, Fawzi and Albert, the 10-song album is a collection of NJS tunes that were fused with elements of jazz, gospel, R&B, classical rap and pop. Songs like the English version of Fiona (originally recorded by one of the first local pop-rap groups 4U2C), the group’s interpretation of Berhati-Hati Di Jalanraya, Pada Kasih Cinta Berbunga and Give It All You’ve Got powered the album national success. It made NJS the hottest thing back then. It got so big that even the “king of NJS”, Bobby Brown, flew into the country for a sold-out concert at Putra World Trade Centre’s Merdeka Hall on May 3, 1993. On May 15, the first-ever Malaysian hip-hop gig, Konsert Rap Kuala Lumpur took place at the Life Centre in Jalan Sultan Ismail, KL. Apart from Krash Kozz, other groups that performed that day included Les Enfants, V.I.P., City Kids, Feminin, Res 2, D.E.F.X., M’Steen, Give Me 5, Nico and Hasnol. While the rest of the performers were neither here nor there, groups like V.I.P. (a comedic hip-hop duo made of composer Benny Ardjuna and cartoonist Poe), Feminin (one of the first all-female pop-rap group) and D.E.F.X. (a seven-member group, comprising two MCs, Yogi and MC E.N.A., and five dancers), showed that the local hip-hop scene had the potential to go far. Speaking of D.E.F.X., they are arguably the next most important group after Krash Kozz in the development of the local hip-hop scene. Dubbed the human beatbox, 18-year-old Yogi was crowned the street rap king in Rappin’ Badd, a contest organised by Central Market on Nov 22, 1992. E.N.A., meanwhile, was runner-up. Both also used to be with Krash Kozz. The group was supposed to cut an album after penning a deal with a record label called Common Networks Malaysia Sdn Bhd, but it never materialised. Krash Kozz, meanwhile, went on to achieve bigger things after the release of their third album. First, they were invited to perform at the First Asian Dance Music Convention in Manila alongside Lisa Stansfield, Black Machine and Apache Indian in June 1993. They then went on to perform at World DJ Mixing Finals that was held at Ministry of Sound in London in January 1994. Sadly, that was also their last performance as the group disbanded as soon as they arrived home in Malaysia...

PHASE: 1994 - 1997

THE break-up of Krash Kozz signalled, to an extent, the end of any hope of seeing a local English-medium hip-hop scene. With them no longer in existence, the only place people could get their local fix was from acts like 4U2C, KRU, Les Enfant, Nana Nurgaya and Nico - but with all due respect, these acts, apart from Nico, cam hardly be classified as ‘hip-hop’. In December of 1994, we saw a ray of hope when a group called Poetic Ammunition (PMO) - made up of former Krash Kozz Posse and D.E.F.X members Yogi B and MC E.N.A. - released its debut single, Only You, on the newly formed Positive Tone. (After a deal to record an album fell through, D.E.F.X. had decided it was time for it to start afresh and with a new name to boot). On a chance visit to friend and lyricist Cahaya Pena at Kenny Music Studio, the duo bumped into producers and co-owners ofPositive Tone, Paul Moss (formerly of Aishah and The Fan Club) and Kenny Tay. Both Yogi and E.N.A. performed an impromptu jam for Moss and Tay, and by the time they left the studio, they had a record deal. Musically, the reggaeton-sounding, Flying Pickett’s cover was nothing to shout about, but the only original number on the set, Run, was unlike anything ever recorded by a Malaysian hip hop act. With its tight delivery, infectious hooks and ill beats, the song got a lot of music execs excited - and it seemed, for a while, that the Malaysian hip-hop scene was back on the right path again. But that quickly proved not to be the case. After the single’s release, nothing much was heard from PMO again. But there was a silver lining. Krash Kozz and PMO’s trailblazing efforts spawned a legion of imitators. No, there was no sudden emergence of a local underground hip-hop scene - but new acts were suddenly popping up all over the place. For instance, an East Coast hip-hop-inspired group, Whyness, released a six-track self-titled demo in 1994 - and the same demo led to the formation of arguably Malaysia’s first ever genuine hip-hop collective, Naughtius Maximus. Apart from members from Whyness - Albert Chong (Albert), Ismail Mat Aris (Mail), Ramesh Anthony (Ramesh), Azrin Ishak (Ain), Hiresh Das (Hiresh), Calvin Choi (Illegal), Nicholas Chong (Nicky C), Remy Kalia Perumal (MiSta Rem), Azhar Majid (Dice), Zushahron Dina (Lady D), Nor Azhar (Spit), Francis Jesudas (Jungle Jerry) and Moses L Chan (Moe) - the 13 member squad was also made up of three other different groups, Deceased, Under Pressure and Reffugeez. Recorded within the space of four months at Digitron Studio, (legend has it that as the group hadn’t the money to book studio time, they “stole” some booked by other acts), Naughtius Maximus’ debut album was released on July 1, 1995, by Articulate Sound Sdn Bhd. Produced by Moe, the 13- song set featured three songs by Whyness, two tracks from Deceased, Reffugeez and Under Pressure each, and four songs by the collective.Musically, it is without a doubt Malaysia’s first-ever genuine hip hop album, complete with the requisite beats, rhymes, attitude and spirit. If there was anything lacking, it was production quality. Still, songs like Here Comes Trouble, Whyness’ Right On Time and Reffugeez’s Ruff Wayz are still regarded as seminal classics by those who’ve been following the development of the local hip-hop music scene. But just when things were on the up-and-up for hip-hop in Malaysia, the local scene got a blow when nine of the songs were summarily banned by Radio Televisyen Malaysia (RTM) two months after the album was released. The reason given for the ban was that the album was “too Westernised”. The ban was a blessing in disguise the status of being banned immediately made the group and hip-hop music notorious - a factor that has a big appeal, especially among the youth. As for the majority of music lovers previously unfamiliar with the genre, the controversy raised curiosity levels enough that many decided to find out what the fuss was all about.The ban halted the collective’s progress, as, by 1996, most of its members were already doing their own thing, both inside and outside music. Illegal and Moses went on to become one of Malaysia’s most respected hip-hop producers; Lady D went on to form Emberz of Soul, and Jungle Jerry went on to make his name in the local clubbing and DJ circuit. Overall though, 1996 was a pretty quiet year for hip-hop. However, below their radar, a scene was slowly developing. Very little information about the underground hip-hop scene at that time is available today, but we do know that two groups were active at the time: Poetic Ammo (with Yogi B as the sole member after MC E.N.A. left in 1995); and Def Rhyme (featuring brother, Land Slyde (Chandrakumar Balakrishnan) and C Loco (Sashi Kumar Balachandran). These two groups would later converge to become Poetic Ammo, with the final piece of the jigsaw coming from the then-16-year-old Wu- Tang Clan-devotee from Ipoh, Point Blanc (Nicholas Ong). The expanded Poetic Ammo then spent most of 1996 recording their debut, It’s A Nice Day To Be Alive - the album that was going to change the future of local hip hop music...

ON THE VERGE OF AN EXPLOSION: 1997 - 1999

“IT was living hell. We slept on the floor; there were times when we had to collect money from each one of us to buy Maggi Mee to eat,” Yogi B of Poetic Ammo told me about the recording process of It’s A Nice Day To Be Alive in an unpublished interview that was conducted in Feb 2003. “It was a very tough time for us. We invested a lot of money in the album. We even slept in the studios at one point,” said Joe Flizzow, one half of Too Phat in the Press statement to announce the release of their debut album, Whutthadilly? on Dec 30, 1999.Sacrifices and undying passion for the art form are, without a doubt, important factors that led to the explosion of Malaysian hip-hop in the later part of the `90s. It’s actually a requirement, if one thinks about it. Especially when good hip hop references and expertise when it came to producing and cooking up the beats were almost non-existent back then. If we got it right, the only “serious” composers and producers then were Illegal, G-Soul and Yogi B. And the latter was a producer by default as he had to produce Ammo’s debut, It’s A Nice Day To Be Alive. “It was like having to make couple of beautiful vases and having to learn how to mould the clay at the same time,” Yogi said back then. Tough or not, the impossible was achieved when his group’s first single Everything Changes was released on Jan 5, 1998, to positive response and glowing praises.On hindsight, it’s success is now understandable. The R&B-tinged hip-hop number was too hard to resist for any casual music listener or radio programme manager. The inclusion of Landslyde and C Loco (from the group Def Rhyme – those who are old enough might remember them from Asia Bagus) and Point Blanc (from Ipoh’s rap group, Da’ Funk Squad) have also added more depth and packed a stronger punch that made Ammo a tighter unit at that time. When it was released in Feb 23, 1998, It’s A Nice Day To Be Alive took what Naughtius Maximus did on their debut three years ago to a completely new level.
Musically, it may not be the most original - there’s Bone Thugs N’ Harmony ( It’s A Nice Day To Be Alive; Cypress Hill (especially C Loco’s style of delivery); Wu Tang Clan Approximate Detonation flavour here and there - but tracks like Peluru Puitis, Vallavan and the remake of Samuel Hui’s Kah Sang Tah Kong Chai was unlike anything produced here before. Lyrically, it was evident the quartet did try to keep it as local as possible, which they did to a certain extent, especially on songs like Everything Changes and Peluru Puitis. Of course, there were glaring weaknesses - feeble selection of words in the rhymes here and there, not-so-fluid song arrangements - but compared to anything that was released earlier, the album was the best at its time and remains a seminal release.The group, however, had to wait for almost a year before they could reap the fruits of their success. “We nearly gave up at first because sales weren’t great. There wasn’t an English hip hop scene then, and not many people in Malaysia knew what the music was all about,” Yogi B said.

ON THE VERGE OF AN EXPLOSION: 1997 - 1999 (Part II)

LESS than a year before Poetic Ammo dropped its debut It’s A Nice Day To Be Alive in 1998, underground gigs, a key factor that contributed to the development of local hip-hop, was mushrooming.Though it’s far from being an underground gig per se, the Youthquake Malaysia Tour in 1996 did, to a certain extent, spread awareness and interest in hiphop. Spread across five states - Penang, Ipoh, Kuantan, Johor Bharu and Kuala Lumpur - the tour had R&B group Soulstreet (its former member includes composer/producer Damian Seet of VE) and a rapper known as Johan Ishak performing at each stop alongside OAG. The impact may not be as powerful as the underground gigs but it’s no denying that both Soulstreet and Johan offered suburban kids a different take on the music, especially in its attitude. The first local underground hip-hop gig took place in Malibu Cafe in November 1997. The organiser, believe it or not, was Nazri Noran of now-defunct pioneering rap-rock group Projekt AK and who is now with the hitz.fm Morning Crew. Performing that day were Naugtius Maximus, Innuendo, Suspicious (a rap group from Penang), Soulstreet and Da’ Joint. Speaking of Da’ Joint, it’s important to take note that the trio – G (Jeyakumar Letchmanan), Sam Sneeze (Samir Sharman) and Rez (Syed Riza Al- Attas) - were among the first of the third generation local hip hop acts that emerged in the mid-’90s. In 2000, the group’s debut single B.A.N.G.S.A.R. peaked at No. 1 spot on hitz.fm Malaysian English Top 10. Three years later the band released an EP, Sound Therapy via Ruff Selecta Entertainment which gave them two more hits singles, Livin’ In The Streets and After Party. The group disbanded a couple of years back and Samir’s now pursuing a solo career. His debut album Reinvented was released late last year and was a success, thanks to hits like R U Ready, Let’s Go and Dikir Berbisa. Other notable groups that came out about the same time (1997-1999) were First Borne Troopz (which would later become Teh Tarik Crew), SickSiderz, ILLustrait (members of both group would later converge and form The Rebel Scum), Integrated Soul, Pac of Doja, M.O.B. (Members Of Blood; one of its former members include Sein of Ruffedge) and of course, Too Phat. The seed of the group can be traced in 1997 when a then 17-year-old Subang Jaya kid called Joe Flizzow and the then 19-year-old Muar-based Malique decided to form a creative alliance after an infamous rap battle on the Net. In November that year, after completing his A-Levels, Malique migrated to KL, and together with Joe and another guy, Doctah K (Kevin Felix), they embarked on a journey that would take them beyond their wildest imagination. It’s unclear when did the group call themselves Too Phat, but in an interview with the now-defunct TONE magazine in their April 2001 issue, both said Too Phat was the first name that came to mind after a gig organiser asked them for a group name to be included in a gig flyer. Other names that were also in consideration were Way Too Phat and Nickel and Rhymes. “We weren’t sure whether we wanted to stick with Too Phat or not,” Malique said in the interview. “Yeah. We said okay lah, we’ll come up with this name Too Phat, then in the future if we don’t like it, we’ll change,” Joe added. It stuck, of course. When a sound engineering friend wanted a group to record for his course assignment, the group jumped on the opportunity. The result was a demo that would soon make its round in the local underground hip-hop circuit. Most importantly, it landed the group a slot at A Tribute To East Coast and West Coast gig that took place in Malibu Cafint in March 28, 1998, where they performed alongside Poetic Ammo, Soulstreet, Suspicious and C’Est La Vie. From there, the group went on to establish a reputation as one of the hottest underground hiphop acts in town largely for their slick rhyming, energetic stage persona, and also two of the underground hits, Higgedy Hey and I’ll Be Missing Your P****, the group interpolation of Puff Daddy’s I’ll be Missing You. While the underground scene was swamped with activities, above ground, Ammo was slowly seeing the reward from their hard work, thanks to Who Be The Player - a song that was not on their debut, but on the country’s first ever local R&B/hip-hop compilation, Tricks & Tales. Released by Positive Tone on Dec 22, 1998, the main highlight of the 10-song compilation had to be the comeback tune by Naughtius Maximus (M.V.P. and Born Ready). Other highlights include the fact that it broke Ferhad into the mainstream scene with Soul In Me and Believe. It introduced Reefa, (arguably) the first solo MC in the country; and Naughtious Maximus alumnae, Lady D’s new group, Emberz Of Soul. It was a perfect documentation of the “semi” underground local hip-hop scene. But to those who were familiar with the underground scene, the inclusion of Too Phat would have made the set more comprehensive. Over the next 12 months, Dec 1998 to Dec 1999, Malaysian hiphop was all about Poetic Ammo. In April 1999, the group was named Best New English Artiste at Anugerah Industri Muzik (AIM) while It’s A Nice Day To Be Alive was Best English Album. As a result of their wins, album sales rocketed to 15,000 copies in a span of less than a month; and having the music video for Everything Changes nominated in the South-East Asia Viewers’ Choice Award category at the 1999 MTV Video Music. Some felt, and said, that it was the pinnacle of the thriving scene, but how wrong they were. Well, these people were not to be blame as no one was prepared for Whuttadilly?

WHUTTHADILLY YO?: 1998-2000

“WE are not malu of, or regret The World Is Yours, as it’s a part of the Ammo chapter. It was commercial and it was pop, and some people didn’t like it. But it was us, nevertheless.” That was what one-half of Poetic Ammo, Point Blanc, told this writer in an unpublished interview back in Feb 2003 in the wake of their comeback-of-sorts album, Return Of Tha Boombox. In the Malaysian hip hop scene, if the years 1998 to 2000 were all about Ammo, the period 2001 to this day is all about Too Phat. There were many reasons for this power shift - by 2001, Ammo were more well-known for their endorsement deals than their music. It also didn’t help that the follow-up to 2000’s It’s A Nice Day To Be Alive was exactly as Point described: commercial and pop. Flashback to 1998: with a reputation as the hottest thing in the thriving local underground hip hop scene, the trio Malique, Joe Flizzow and Doctah K were offered a deal to record an EP by the now defunct Strange Culture Records (SCR), which was then the label for local fringe music. The group recorded two songs, Give It Up and Whutthadilly?, with SCR before parting ways with the label in July 1998. Determined to finish what they’ve started, the group, who had by then became a duo when Doctah K left to sing with a hardcore band called Foreground Division, decided to complete the album using their own resources.In between recording sessions, they were also actively performing on the underground gig circuit. And their biggest, if not most important gig, was The Panasonic Hip-Trip that was held at Sunway Lagoon Amphitheatre in late 1999. Performing alongside Farah, Shayna, Taheera, VE, Soulstreet, Da Joint, Naughtius Maximums, Prisheella (one of the earliest local female MCs to emerge), Vandal, Poetic Ammo, KamiKrazie, DJ Ken, DJ Face, DJ T-Bone and DJ Goldfish, Malique and Joe Flizzow stole the show that day with their strong stage presence, obvious talent and very hooky number, Too Phat Baby. The first single off their yet-to-be-released debut was premiered and went down well with the 2,000-strong crowd that day. The buzz on Too Phat on the street was at an all-time high but the duo had to wait until their debut album was 90 percent complete before they could get a record label to notice their potential. How they finally ended up with Positive Tone is a classic record industry tale. The label’s managing director Ahmad Izham Omar (now 8TV chief executive officer) happened to hear one of the tracks off Whutthadilly? when one of the album producers were working on it.Word has it that Izham was completely blown away and demanded a meeting with the group immediately. Things got even more exciting after they officially became a Positive Tone artist in Oct 1999. In November, an unmastered studio mix of Lil’ Fingaz leaked on the radio and surprisingly, became hitz.fm’s Most Wanted Hit. Lil’ Fingaz’s considerable success was overtaken by the Too Phat Baby when it was released in early December. Finally, after almost a year-long struggle, Whutthadilly? finally saw the light of day on Dec 31, 1999. Produced by Illegal, G-Soul, Haze and the boys themselves, the 15-track album established a whole new set of standards for production, image, presentation and most importantly, rapping in the local hip hop scene. To call it the perfect hip-hop album (by Malaysian standards at that time) may be an overstatement, but considering how very few missteps were made by Malique and Joe, Whutthadilly? was indeed local hip-hop at its finest. Album highlights were aplenty, from the intros sampled from artists as diverse as Sharifah Aini’s (Seiring Sejalan) and Kool & The Gang (Too Hot), to the interpolation in Too Phat Baby and heck, even the demo mix of Whutthadilly?, the album is one big irresistible effort. Musical genius aside, there were two other interesting things the boys did. The duo roped in and introduced up-and-coming underground cats by inviting them to guest on the album. Acts who were literally unknown beyond the local underground scene, Ruffedge (Too Phat Baby); and First Borne Troopz and G from Da’ Joint Skoo Tha Nonsense were allowed to shine alongside Tricks And Tales alumni like Reefa (Bla, Bla), Lady Dee (bo-M.O.-h). Their other, less generous act was to put down Poetic Ammo in one of the tracks. In bo-M.O.-h, Malique and Joe mocked Poetic Ammo for claiming to be what they were - the leader of the pack in the local hip-hop game. It was undoubtedly the first local diss track - okay, Krash Kozz and KRU also dissed each other in their tracks in their time, but they were nowhere near this: “Aight man? everybody know ain’t nothing real/Check the CD cover wit’ the classic clown appeal/and still it kinda beats me how you got that record deal/Wit’ no skills, why you tryin so hard to B-Real?” raps Malique in the first verse. “Damn, at first you brought some hope into the game/Now it ain’t the same, probably fame got you lame,” adds Joe in the second verse. Ammo lashed back in the song We Hit `Em Up Too in their second album saying: “I gave you love but you wanna show me hate/Watcha gonna do when it’s too late/It’s about the time why don’t you tell em’ why/Cos back here We Hit Em’ Up Too” (Yogi B); “You dissed my album cover bein’ clownish but yours be worse/Cos your s*** be lookin’ something straight from the circus/For real though now you phat with that lady in your clique” says Point. “We were cool then, you had beef with the other peeps and/Now you got an album, you wanna skoo the nonsense?/Ha! Ha! You see my prominence is imminent/Why you tryin’ so hard so be Eminem?/You visionary? More like fictionary,” continues C Loco. What triggered that was hard to tell as both parties naturally had their own version of stories, but oh, what fun it was for the fans. It’s the closest the Malaysia hip-hop rap scene has come to a gang war, and the kids in the local scene were quickly split into two main camps: The Phat Family and Ammo’s D’Alliance.

to be continued..

~diary of the day~

7.30am - tjaga..n still ngantok..so postone la bgun lamat skit

7.50am - bgun!pi toilet basoh badan,basoh muka,berus gigi..mandi kerbau la kira

7.57am - stat jalan pi kelas..as usual..ada ja pompuan jln lmbat...aku msg tikah and wani..tikah still kat bilik x pi kelas lg..means aku bkn the late comer la..andwani kata madam dh stat klas math!fuh..gotta run!

8.03am - blajaq math chapter last chapter NORMAL DISTRIBUTION..best gak..actualy chapter ni dh blajaq time seklah dulu..add math..tapi dulu aku x dtg time cikguzuan ajaq so aku xsuka chapter tu koz basic x kuat

9.45am - aku hbis kelas awal and kebetulan today bio kat lib and classmtes aku kelas kat LY so kami lepak jejantas dulu bli breakfast and aku beli sosej n bwk pi mkn dlm lib..budak kelas bio aku tkejut aku brani bwk makanan dlm lib..semalam aku bwk beg masuk lib..ala tu kira normal la..salah kecik ja..means dat depa ni sgt baik la..salah kecik pon g depa besaq sgt

10am - dlm kelas bio tetiba kak aflah duduk tmpt aku so aku decide nk duduk dpn tepi syidah a.k.a belakang brothers..blajaq chpter reproduction..madam ckp jantina anak,lelaki yg tentu kan based on their XY chromosome..woman just receive the XY..so kalau xdpt jantina anak yg kita nak,slahkn hubby k!aku nk buat quiz tapi madam ckp x pyh buat koz aku ada mc padahal aku xda mc pon..ahhhahahh

11am - menuju ke kelas chem..im late!kelas bio hbis lamat skit tday..aku tjumpa byb kat blok E..tgh msg dol,ttiba madam tny 'mira apa lucas reagent?' aku blur ah!nasib wawa kata zinc and lagi satu reagent aku xau koz chapter tu aku study x betoi so mcm biasa aku buat berlakon la buat muka konon2 aku rasa jwpn yg org bagi tu salah and aku confius..haaaahhahah..then time jawab tutorial,madam suruh dtg depan pi explain n shit muni jerit nama aku!bodoh!

and nasib kain aku nk telondeh so madam suruh aku duduk padahal aku dh pi kat dpn nk explain..i love u baju kurung batik koko!

1pm - pi bilik wani koz kami saing balik kelas..lunch kat bilik dia then balik bilik and on9 till 3pm then mandi n mayang then tidoq till 6pm..mimpi ada guy kata 'i like dem girl' and i sang caprice's song called dem girl..hhehhhe..i love him!

6.30pm- asar n pi bilik wani hantar charger lappy dia ttinggal kat bilik aku then turun beli makan n dinner kat bilik depa dlm gelap koz xda current..sedih..mm 'bersamamu'

7.45pm - maghrib till isyak

9.15pm - amik roti boy kat bilik fikah..sedap!!jumpa wani dpn bilik fikah...dok berebut caprice dpn pintu oang..hahaa

9.30pm - buat kad kat KAED..my rumate;s bf..aku mmg mcm ni..tiap kali depa nk jumpa ja aku buat la kad bg kat bf dia saying how much my rumate love him..gila aku pulak yg buat kad kat balak oank!

10pm- study and buat toturial chem!sambil tgk video clip kangta feat vanness-scandal

miss caprice

i miss u so bad!

melissa jumpa kucing!

QUOTED FROM MELISSA MAUREN-->

oh god i miss my cat. i really really do. its a physical pain.

about 22 hours ago from TweetDeck
dear powers that be. please return my cat Junior Gong to me tomorrow morning so i may once again smile. goodnight.about 18 hours ago from mobile web
my cat came running home today! she had missing fur, bruises, a string tied around her neck and was half starved. people are so cruel :*(11 minutes ago from TweetDeck

karma.11 minutes ago from TweetDeck

aku happy~

c a p r i c e

TALK WITH HIM ON THE PHONE

HE TEXT ME

WE MET

APPROVED MY FREN REQUEST

COMMENT ME

.

.

.

.

.

hes such a nice guy!!!!!!!!

qouted fom my email inbox

''Caprice confirmed you as a friend on Facebook.

To view Caprice's profile or write on his Wall, follow this link:
http://www.facebook.com/n/?profile.php&id=543483421&mid=f45b61G536178ceGb9479aG1b



Thanks,
The Facebook Team

....................................................

some peep might think that i brag a lot..perasan ja..

padahal caprice just approved fren request bkn nya dia propose kawen pon..

but to me it means a lot!!!

for me,benda yg siket tu pon aku dh appreciate x kesah la apa caprice buat..

kdg2 even dia buat jahat n terang2 dia buat salah tapi aku blh ja terima apa dia buat n kata 'its cool!'...

gila la aku..padahal caprice tu ramai gila pompuan lawa n hot keliling dia..

aku ni no one to him tapi aku x kesah syok sendiri koz im happy in that kinda way compared to love and hope for a true man yg blm tentu akn syg kita..

aku tau berdosa agung3kn artis..

aku x agung kn artis..

allah still number 1..

parents still num2..education still num 3..

its just dat i talk a lot bout artisl..tu ja..

some peep might thing i got culture shock..

dtg kl baru jmpa artis..but i dnt give a damn.

aku dari kecik membesar kan KL..kalao kata perak jumpa artis,

mmg dari zaman skul aku gila artis

.budak convent amat mengetahui tahap aku gila kat ruffedge,ve,toophat,britney,beckham and lil ze(zarul ashidil)..

x penah aku suka lelaki real yg wujud dpn mata aku..

time form4 baru la kaple tu pon x blh trima dia koz hes not a rapper..

hes a rugby player..again..not a rapper!

dari dulu lg mmg hati aku kat artis ja..lebih tepat,kat rapper ja..

than masuk uia baru tbukak hati suka kat ustaz2 yg alim..

so basically now hati aku just blh trima rapper as my boyfren and ustaz as my hubby...dats it!aku sgt respect ALTIMET koz buat lagu 'chantek'..

lirik dia sgt islamik in a modern way..aku sgt respect dia..bila baca twitter dia,lagi tkejut dia tau bila nisfu syaaban n sempat buat certain ibadat tuk sambut nisfu syaaban..haih!caprice jgn ckp la..rosak la dia tuh..

joe flizz pon rosak gak tp joe still respect pompuan bertudung..dia first time jumpa aku,xsentoh aku pon..sembang ja..tapi caprice x kira apa dh..dia kira nk pelok ja..nasib aku maseh beriman.kalo x mmg caprice jd arwah dah time tuh..out-